It seems likely that radionics, as it is normally accepted, is really radionics with circuits. However it is probable that radionics, as such, is something else entirely. Many people, especially the French, have created radionics without any electronic components at all. And the French are experts at it. From this perspective it is obvious that radionics works in a non-electronic way.
According to the French, radiesthesia and radionics phenomenally occur between two fields – the local and the universal. According to Jacques Ravatin, doctor of science in physics and mathematics, the universal field exists in an immaterial way in all things. Its effects may only be detected by the emanations that the object produces via its form or volume. The dowser or radionicist connects with this plane through their forms.
This field cannot be defined by values or measurements, but may be observed through subtle perception (feelings) and dowsing. The universal field interacts with the local field, which is the measurable and quantifiable. The relationship between these two gives rise to the phenomenon known as emissions due to forms.
However, these emissions due to forms, originating in the universal field, cannot be considered as waves of any sort. They are not “energies” as we traditionally understand them, but emissions from a field whose nature cannot be expressed in values or measurements. They are states which may, for example, be detectable through the Hebrew alphabet.
This is why talking of “waves” or “electromagnetic emissions” implies the application of conventions of the local field to the universal field, which can only generate confusion and distortion to the practice of radionics.

A Radionics Instrument without Circuitry
In the 1970s, Mr Jean De la Foye, a French agricultural engineer and dowser, in association with Conte de Belizal and Mr Jean-Gaston Bardet, developed a radionic instrument called the “Reciprocal Circles Board”. What is it, and what does it do? In this article we will be briefly describing the historical development of the board and what it is. A more in-depth description of the device may be found in Jean De la Foye’s book, “Ondes de vie, ondes de mort” (Waves of Life, Waves of Death).
The device is described in his book as a radionics tool for sending remote emissions, a method to rebalance the geobiological atmosphere, and a tool for occult experiments.
This transmitter is based on four concepts:
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- The notion of “colour” emissions of a polarized body,
- The presence of guiding axes of the field of “emissions due to forms” via the Hebrew Tetragrammaton “I AM”,
- The law of compensation,
- The existence of a vital field.

Colour Emissions
The story begins when Conte de Belizal and Leon Chaumery studied the characteristics of an ancient Egyptian ring known as the “Atlantis ring”, and a pendulum known as the “Egyptian pendulum” or “Thoth pendulum”. The two researchers realised that items of certain shapes have the capacity to take charge of some otherwise unknown emissions which were able to act upon their local and remote environments.
They therefore began studying the simplest geometrical shape: the sphere. Using a pendulum, they discovered that the sphere emitted what they called, for convention, “colours”. For the record, they used small pieces of coloured cloth as witnesses for these emissions. Importantly, they found that these 12 emissions termed “colours” moved on the sphere with respect to the course of the sun.
Jean De la Foye took the discoveries of these pioneers and continued the research on the circumference of a tree trunk. Once again he found the 12 colours around the tree trunk, but discovered three additional things:
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- Colours double up to twice the radius of the trunk. There are so-called 12 “Electric” colours and 12 “Magnetic” colours.
- If a nail is driven into the trunk, the present colour is selected, projected onto the south axis, at 180° of a circle whose 0° is magnetic north -5°.
- To separate these colours relative to the sun, we may groove a wooden sphere equatorially and fix an adjustable ring (similar to the nail in the tree trunk), thus creating a selective “emitter of colours”, the equatorial pendulum.
Utilising these realisations, he then had the knowledge to create the Reciprocal Circles Board.

The Guiding Axes
At the beginning of his research, Jean De la Foye followed the work of his mentors, but then was helped by Jean-Gaston Bardet, an architect and specialist in the square Hebrew script. This ancient script has the ability to mathematically radiate the meaning of words, through the shape of the letters, their numerical value and their pronunciation. A resonance effect is created, a witness between the vibrant word and the object being researched.
Once Jean De la Foye dowsed the vibration of each of the letters of the Hebrew Tetragrammaton YHWH (their emitted colour) and relating them to the colour emissions of the sphere, then he could cut grooves which would balance the emissions of the sphere – or in this case, the disc – which he called the “guiding axes of the field of shapes”.
These, once engraved onto a Reciprocal Circles Board, have the ability to prevent it from saturating with energy, isolating it from external influence, and creating a microcosmic universe, complete in itself.

The Law of Compensation
The law of compensation is derived from the law of similars. Jean De la Foye realised that if he drew geometric shapes, such as circles, with an axis of symmetry, and put a witness on one circle, then one may detect its “ghost” on the other circle, somewhat akin to cell division.

The Vital Field
Jean De la Foye, being a good agricultural engineer, realised that the signature of the living entity, detected via a pendulum, was manifested by a series of circles in a kind of fractal pattern, similar to cell division. The Flower of Life is a vibratory, geometrical reality, expanding to infinity.
The life force crystalizes in circles, and matter overlaps in the form of hexagonal fractals. Matter contains life, just as the circles are contained within the hexagram.

Construction
The instrument consists of a rectangular wooden board with a minimum thickness of 2cm. Density is important to optimise its mass, and therefore its emission radius. Mass is important to the creation of the instrument, a transmitter of “emissions due to forms”. For example, megaliths were created from stone – a substance of great mass – and positioned so as to attract solar emissions and establish a favourable exchange between the cosmo-telluric emissions.
A series of though-holes (on the north-south axis) and blind holes are drilled, which are the most important part of the construction. They act as a map, orienting the solar radiation, allowing the instrument to take on information rather than being simply an inert object, creating a link with the Universal field.
These holes mark the intersections of three interlocking circles and activate the accumulating capacity and emissions of the transmitter.
Grooves, vertical and horizontal, prevent the transmitting instrument from tipping over into spiritual broadcasts, so that it acts only on the physical and vital planes.
The other grooves, diagonal, define the word YHWH energetically, permitting the instrument to stabilise at a vibratory frequency of vital energy.

Using the Board
Orientation of the board must be done with a compass, positioning it to magnetic north -5° (or 355°; this angle remains a mystery). Once that is done the needle of the north dial is moved to select the desired “colour”. The emission will then appear vertically in the centre of the southern circle. Anything placed in the centre of the south circle will be charged from this emission.
It is important to realise that only the so-called “Magnetic” colours appearing on the western hemisphere are beneficial. The so-called “Electric” colours discharge or deplete the living organism. One or the other is neither inherently good nor bad, but simply the mechanism of transmitting energies.
A photo witness may be placed on the south circle for remote treatment. Similarly, the vibration of a substance, object or place may be copied to a carrier substance, such as oil. Place the object on the north circle, and the carrier on the south circle, which will then record the witness’s information.
Obviously there are many other uses of the Board, but these are examples to give an understanding of what is possible with it.

I hope that this basic introduction has opened your eyes to “emissions due to forms”, and in particular to an instrument intended to harness and transmit such emissions. This science is notably French in origin, but is gradually finding its way to the English speaking world.
Much of the above information has been translated from French from Bragi Bellovaque’s book, “User Manual for the Reciprocal Circles Board”. For several years he has manufactured these instruments, handcrafted with care, incorporating various improvements and advances. To purchase the Reciprocal Circles Board, please write to him at:
bragi.bellovaque@orange.fr
As always, your feedback and conversation is welcomed. Please join in the discussion by commenting below.
This color spectrum is very interesting. The work of Chaumeray and De Belizal. Does anyone know if “Ondes de vie, ondes de mort” or the books by Chaumeray or De Belizal are available in English? I have not been able to find any. They seem to only be available in French.
Unfortunately they are only published in French. I have a copy of “Waves of Life, Waves of Death” in French, but my French is terrible!
There is a private translation by Jane Weaver (and many other French books about radiesthesia) into English.
My French is virtually non existent. I find this subject fascinating.
I took The Universal Vibrational Spectrum course from the Vesica Institute and I’ve scoured the net for pieces of information.
I have this book, must translate
I look forward to a good English translation. 🙂
Dear all, I have La Foye’s book in doc format in Spanish, which can easily be translated into English, Romanian or Russian using Google Translate.
The researcher GN will tell me how it can be made available to everyone.
The translation is quite faithful and adequate—without modesty—as a result of decades of research and reading various international books and magazines on the subject, but I would like to clarify that anyone who ventures down these paths will end up being affected by the thorough study of Kabbalah and its practical applications, which this scholar was able to bring down to earth for us in part (For example the pendulo hebraico or https://menteenergia.blogspot.com/2022/07/el-pendulo-doble-armonico.html )
However, he is a researcher of the type of Ravatin or Lafforest, who concealed certain keys that made their interviews or books incomplete and no one could simply cut and paste to make an artefact that emitted waves due to its shape that would affect whatever you wanted. NO, that is only transmitted by word of mouth because of its consequences.
Obviously, his study will seem dense and extensive and dry, etc. My advice is not to buy Bardet’s books, someone respected by La Foye, because then you will fall straight into the pit. Here are a few examples.
“…emissions due to shapes are at the centre of new remote action techniques, which Roger de Lafforest calls a specific magic: radionics.
“By nature, radionics is an offensive weapon,”
he writes. ‘It allows you to exert, for good or ill, an informative and decisive influence at a distance on a subject you are witnessing.’
“Each being has its own mantra, that is, a sound that corresponds to it. Repeated by several people, it has various powers: healing ailments or inducing meditation. Today (1990) , taken up and inventoried by
microvibratory physics, it serves as the basis for radionics (radionics, in Anglo-Saxon countries). It covers exactly the same field as the ancient practice : an influence exerted at a distance on someone.
‘Remote influence without perceptible contact, without the action of physical forces or measurable energies, is unacceptable to reason,’ writes
Roger de Lafforest in ‘Magical Reality.’ “To explain and justify this magical absurdity, it is enough to have enough imagination to represent the world as it is: an indescribable tangle of microvibrations, waves and radiations of all kinds emitted and received not only by all living things, but also by all inert things.
It is therefore possible, thanks to the correct installation of a radionic expansion field, to remotely transport to a chosen person who feels them the effects of a drug, a medicine, any product, or even a symbol or a simple written command.
To establish this technique, three postulates are required (without forgetting that Euclidean geometry itself is based on an unprovable postulate).
These are essential to scientifically substantiate the results obtained through experimental experiments, but repeated thousands of times.
First postulate: the law of resonance. This justifies the use of a control element: “The effects of an action suffered by a separate part of a body are felt throughout that body, regardless of the distance between the two parts. This brings us back to the law of similars of ancient magic, similia similibus: the part is valid for the whole.”
Second postulate: the law of transfer, so called by analogy with certain rules of machine theory: “Certain symbolic figures are capable of conducting, carrying, propelling abstract waves entrusted to them and can serve as directional antennas to achieve the intended goal.‘ Third postulate: ’The results obtained are proportional to both the power of the transmitter and the receptivity of the receiver.”
“I could be accused of revealing dangerous secrets through this work, but I limit myself to presenting the theories. It is impossible for anyone to put them into practice based on such data. Radionics is both an art and a technique. Instructions alone are not enough. Not everyone can be a radionician.
In ‘The Magical Reality,’ you talk about the personal mantra that responds to the fundamental vibration of the being. How do you find it?
It is a matter of initiation, reserved for alchemists and Kabbalists; only they can find your mantra, that is, the sound
that best expresses you: it is personal, unique, and usually kept secret. From the moment you tune into this
mantra, it will follow you everywhere. It facilitates healing, meditation, and many other things. If twenty people around me repeat mine, I vibrate in unison, I can heal my various ailments or feel the need to meditate. Finally, if you don’t know yours, you can use OM MANI PADME OM. Roger de Lafforest saves the best for last. He takes a pale grey pentagram out of his briefcase and asks me not to hold it so as not to risk distorting its delicate mechanism with my personal vibrations. Before me lies the latest discovery of the Kabbalists, a very subtle extension
of the dynamic emissions of form: the pentagram of youth. Who would have thought it possible to halt the effects of senescence with a simple graphic? But I am not dreaming. The elixir of youth exists.
The resulting new form is then capable of emitting the wave that reactivates the principle of immortality that each of us carries within us. It works like any pentacle, provided that it is personalised at the outset and sufficiently imbued by the daily manipulation of the vibrations of the person for whom it was made, if we want it to remain operational
(Lafforest live at 93 years)
In relation to the icons and those who have studied them and published thorough explanatory works on the mathematics underlying them and the emissions due to their shape, there are several works by Jacques Ravatin (IdaThem-Arkologie) where everything related to them is explained and how their functions and effects have been duplicated today. Best regards and apologies for the English